Lo spot di Apple “Make a film with iPad” contiene un breve stralcio del discorso di inizio anno che Martin Scorsese ha tenuto alla NYU Tisch School nel 2014.
È lungo, ma fatevi il favore e ascoltatelo: è la summa dell’ispirazione di un artista che ho sempre amato e che per il cinema ha fatto molto.
«You can’t do your work according to other people’s values. I’m not talking about “Following your dream” either. I never liked the inspirational value of that phrase. Besides being sentimental, it’s beside the point. Dreaming is a way of trivializing the process. The obsession that carries you through the failure as well as the successes. If you’re dreaming, your sleeping and it’s important and imperative to always be awake to your feelings, your possibilities, your ambitions. But you also know this, for your work, for your passion, every day is a re-dedication. Painters, dancers, actors, writers, filmmakers, it’s the same for all of you. All of us. Every step is a first step; every brush stroke is a test, every scene is a lesson, every shot is a school. So let the learning continue» — Martin Scorsese
3. 4. 5. 6. 7. 8. 9. 10.
«Non è forse questo il senso di un gioiello? Esaltare la bellezza dell’amata
è riconoscere tanto la fragilità di lei quanto la nobiltà di questa fragilità.
Al meglio di noi, annunciamo alle tenebre che la brevità delle nostre vite non saprà degradarci.
Che non ci lasceremo sminuire per questo. Lasci che le mostri. Vedrà»
Duro e brillante come una pietra.
Incompreso per scelta.
In ordine di apparizione: titolo e (direttore di fotografia).
Man with a Movie Camera (Mikhail Kaufman), The Assassination of Jesse James by the Coward Robert Ford (Roger Deakins), Baraka (Ron Fricke), Koyaanisqatsi (Ron Fricke), Days of Heaven (Nestor Almendros), Akira Kurosawa’s Dreams (Takao Saito, Shoji Ueda), What Dreams May Come(Eduardo Serra), Legends of the Fall (John Toll), Lawrence of Arabia (Freddie Young), El Topo(Rafael Corkidi), La Dolce Vita (Otello Martelli), The Tree of Life (Emmanuel Lubezki), Daughters of the Dust (Arthur Jafa), Chinatown (John A. Alonzo), Hero (Christopher Doyle), Kagemusha (Takao Saito, Shoji Ueda), The Night of the Hunter (Stanley Cortez), Ugetsu (Kazuo Miyagawa), Songs from the Second Floor (Istvan Borbas, Jesper Klevenas, Robert Komarek), The Black Stallion (Caleb Deschanel), Vertigo (Robert Burks), Manhattan (Gordon Willis), Apocalypse Now (Vittorio Storaro), Lovers of the Arctic Circle (Gonzalo F. Berridi), The Duellists (Frank Tidy), Powaqqatsi (Graham Berry, Leonidas Zourdoumis), Ran (Asakazu Nakai, Takao Saito, Shoji Ueda), Bombay Beach (Alma Har’el), 2001: A Space Odyssey (Geoffrey Unsworth), The Thin Red Line (John Toll), Cave of Forgotten Dreams (Peter Zeitlinger), The New World (Emmanuel Lubezki), Solaris (Vadim Yusov), The Diving Bell and the Butterfly (Janusz Kaminksi), I Am Love (Yorick Le Saux), A Matter of Life and Death (Jack Cardiff), Onibaba (Kiyomi Kuroda), Blue Velvet (Frederick Elmes), No Country for Old Men (Roger Deakins), I Am Cuba (Sergei Urusevsky), The Fountain (Matthew Libatique), There Will be Blood (Robert Elswitt), The Human Condition (Yoshio Miyajima), The Proposition (Benoit Delhomme), Raise the Red Lantern (Lun Yang, Fei Zhao), The Godfather Part II (Gordon Willis), 2046 (Christopher Doyle, Pung-Leung Kwan), Beauty and the Beast (Henri Alekan), Melancholia, (Manuel Alberto Claro), Road to Perdition (Conrad L. Hall), Alexander Nevsky (Eduard Tisse), Sunrise (Charles Rosher, Karl Struss), Blade Runner (Jordan Cronenweth), Citizen Kane (Gregg Toland), House of Flying Daggers (Xiaoding Zhao), Wings of Desire (Henri Alekan), Atonement (Seamus McGarvey), The Last Emperor (Vittorio Storaro), Before Night Falls (Xavier Perez Grobet, Guillermo Rosas), The Last Picture Show (Robert Surtees), The Red Shoes (Jack Cardiff), Down by Law (Robby Müller), Amelie (Bruno Delbonnel),Chungking Express (Christopher Doyle, Wai-keung Lau), Children of Men (Emmanuel Lubezki), Black Orpheus (Jean Bourgoin), The Leopard(Giuseppe Rotunno), The Age of Innocence (Michael Ballhaus), Perfume: The Story of a Murderer (Frank Griebe), Raging Bull (Michael Chapman), The Fall (Colin Watkinson), The Pillow Book (Sacha Vierny), Martha Marcy May Marlene (Jody Lee Lipes), Nosferatu the Vampyre (Jorg Schmidt-Reitwein), The Third Man (Robert Krasker), Good Night and Good Luck (Robert Elswitt), The Scarlet Empress (Bert Glennon), The Man Who Wasn’t There (Roger Deakins), Talk to Her (Javier Aguirresarobe), In The Mood for Love (Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee), The Man Who Cried (Sacha Vierny), Santa Sangre (Daniele Nannuzzi), The Passion of Joan of Arc (Rudolph Maté), In Cold Blood (Conrad L. Hall), 8 ½(Gianni Di Venanzo), Brazil (Roger Pratt).
«Un film può essere estremamente potente sui giovani. Ma quell’influsso dura un giorno. Poi muore, come tutte le passioni effimere»
— Sidney Lumet (June 25, 1924 – April 9, 2011)
Anderson: You know when I was a little boy, there was an old negro farmer that lived down the road from us, named Monroe. He was… I guess he was just a little more luckier than my daddy was. He bought himself a mule. It was a big deal in round that town. Now my daddy hated that mule. Kuse, his friends were always kidding him about, “They saw Monroe out plowing with his new mule and Monroe is going to rent another field now he had a mule”. One morning that mule showed up dead. They poisoned the water. After that, there wasn’t any mention about that mule around my daddy. It just never came up. One time we were driving down that road and we passed Monroe’s place and we saw it was empty. He just packed up and left, I guess, he must of went up north or something. I looked over at my daddy’s face, I knew he done it. He saw that I knew. He was ashamed. I guess he was ashamed. He looked at me and said: “If you ain’t better than a nigger, son, who are you better than?”.
Ward: I think that’s an excuse.
Anderson: No it’s not, excuse. It’s just a story about my daddy.
Ward: Where’s that leaves you?
Anderson: With an old man who just so full of hate that he didn’t know that being poor was what was killing him.
— “Mississippi Burning”